Down in the Bog
Stories, artifacts, wordplay, research, and musings on archaeology, writing, literature, Irish music and more
Thursday, January 14, 2016
Come to Ireland with me!
Erin Hart & Celtic Journeys Present
IRELAND WITH ERIN HART
April 8-18, 2016
10 days/9 nights in Ireland focusing on history, mystery, archaeology & folklore
I'm excited this year to be working with Jean Wynne of Celtic Journeys. I will be leading a small band of a dozen or so on a wonderful trip called "Ireland with Erin Hart" focusing on history, mystery, archaeology & folklore—full of fascinating historic sites, informal chats with archaeologists, folklorists, storytellers and musicians.
Dates are April 8 (departing the US) to April 18. Have a look at our full itinerary, and find out how to make your reservation—just click on the links below.
The booking deadline is February 8, 2016, so please get in touch with Jean Wynne right away if you're interested!
Join me for this unique trip through Ireland, visiting many of the places that have inspired my writing, from the archaeology of ancient sites, the peat bog and its hidden treasures, and all along the way exploring the folklore and folkways of Ireland, past and present.
We'll spend three nights in Dublin, exploring the city and taking in the the bog men and the Faddan More Psalter at the National Museum, along with the Book of Kells at Trinity College, traditional music sessions, and a day trip to Lough Crew megalithic cemetery.
From Dublin we'll head to the ancient monastery at Glendalough, and take in Ireland's oldest city of Waterford where we'll go into the Mayor's Wine Vault, under the city from medieval times.
Then westward to Dingle Peninsula, taking in its rugged beauty (not to mention its music and fresh seafood) before traveling up the coast and into West Galway, Connemara and the Aran Islands. Along the way, we'll visit with renowned storytellers, musicians, archaeologists, and folklorists. Finally, we'll head east across the bogs toward Dublin again and have a last night in a Barberstown Castle, a magical way to end your journey through Ireland!
Questions? Please call Jean Wynne at 651-291-8003 or email her at jean@celtic-journeys.com.
Full details, itinerary and reservation form are also on my website, and at Celtic Journeys website.
Tuesday, May 26, 2015
Come to Ireland with me!
One of the great perks of my job is that I get to travel to Ireland for research. And I love to bring people along with me and share some of the amazing places I've discovered in many visits there.
I'm taking a small group of 8 intrepid travelers this September, on a tour called "IRELAND: The Creative I," which will focus on Ireland as the inspiration for painting, photography, music, poetry and prose.
We'll spend 10 days and 9 nights in Connemara (a region of West Galway, and one of my most favorite places in Ireland), the Dingle Peninsula in Kerry, and West Clare, the home of some of the best traditional music in the world.
In addition to day trips to amazing places—historic sites, ancient ruins, and landscapes that will take your breath away—we'll also be talking with and learning from artists, photographers, musicians, and writers (myself included), as we follow our creative impulses.
My partner in crime is Linda Rosen of Ireland On My Mind, a tour company that specializes in small groups and off-the-beaten-path adventures.
I'm putting together a reading list for the group, some of my favorite poets and novelists whose voices seem to rise up from the land: Seamus Heaney, Edna O'Brien, Liam O'Flaherty, Patrick Kavanagh, and of course W.B. Yeats, among others. And I'm talking with musician friends to see if I can fix up some music sessions for us along the way as well.
This is going to be an excellent adventure. Hope you'll think about coming along with us.
FULL ITINERARY AND TOUR DETAILS:
MY WEBSITE
http://erinhart.com/tour-ireland.php
IRELAND ON MY MIND WEBSITE
http://www.irelandonmymind.com/creative-i.htm
Dunquin Pier, one of the fine sights along the Dingle coastline. The ramp where the curraghs used to bring the sheep and cattle in from the Blasket islands... |
Monday, February 2, 2015
Writing From Memory - History Theatre Class
Writing From Memory is a fun and accessible six-session writing workshop that will help you discover new ways to explore your own history. Using artifacts, photos, letters, music, maps, and timelines, we'll begin to explore significant chapters in your personal or family history, and with the tools of creative writing bring your memories to vivid life on the page.
The six sessions will include discussion, writing exercises, and time for sharing work with the class.
Absolutely no writing or theater experience necessary — everyone is welcome!
Meets Fridays from 10:00 am – 11:30 am
February 20, February 27, March 6, March 13, March 20, March 27.
Cost: 6 sessions for $150
Information and Registration
Monday, December 1, 2014
Caroling with O'Rourke's Feast - December 5
Join me on December 5 for a special Christmas concert with O'Rourke's Feast, my husband's wonderful six-piece Irish traditional band.
I'll be singing a couple of Irish carols, the Enniscorthy Carol ("Good People All") and the Kilmore carol from Twelfth Night ("Now To Conclude Our Christmas Mirth.")
December 5, 7:30 pm
SAINT PAUL, MN
O’Rourke's Feast Celtic Christmas Concert
Celtic Junction
836 Prior Avenue North
Saint Paul MN 55104
Come join the musicians of O’Rourke's Feast for a special Irish Christmas concert! The band has planned a feast of not-your-usual holiday fare, including harp tunes from the 17th century, lively jigs and reels, and a couple of ancient traditional carols from County Wexford sung by guest artist Erin Hart.
Tickets are $15 for adults, $10 for seniors, and $7 for children under 12. Complimentary holiday treats will be served.
Reserve your tickets today: call (651) 698-2258 or send an email to paddyobrienbox@gmail.com.
The new O’Rourke’s Feast self-titled CD will be on sale at the concert, along with other titles from New Folk Records, and Paddy and I will also have copies of our books on hand to inscribe for holiday giving...
I'll be singing a couple of Irish carols, the Enniscorthy Carol ("Good People All") and the Kilmore carol from Twelfth Night ("Now To Conclude Our Christmas Mirth.")
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SAINT PAUL, MN
O’Rourke's Feast Celtic Christmas Concert
Celtic Junction
836 Prior Avenue North
Saint Paul MN 55104
Come join the musicians of O’Rourke's Feast for a special Irish Christmas concert! The band has planned a feast of not-your-usual holiday fare, including harp tunes from the 17th century, lively jigs and reels, and a couple of ancient traditional carols from County Wexford sung by guest artist Erin Hart.
Tickets are $15 for adults, $10 for seniors, and $7 for children under 12. Complimentary holiday treats will be served.
Reserve your tickets today: call (651) 698-2258 or send an email to paddyobrienbox@gmail.com.
Thursday, November 20, 2014
SOME LAST-MINUTE HOLIDAY EVENTS!
November 22, Lunch @ noon, followed by author talks and book signing
CHASKA, MN
Tipped In Book Event — Sponsored by Magers & Quinn Booksellers
Hazeltine National Golf Club
1900 Hazeltine Blvd
Chaska, MN 55318
(952) 556-5400
Featured speakers include: Lorna Landvik, Erin Hart, Jonathan Odell, and Matt Smiley from the University of Minnesota Press.
Book club members and reading enthusiasts are sure to enjoy this rare glimpse into the world of publishing. Featuring local authors, representatives from major publishing houses, and the staff of Magers and Quinn Booksellers. The perfect time to bring your book club and stock up on holiday gifts!
Tickets are $25, including lunch and program — RSVP to Emily at (952) 556-5400. Books available for purchase.
November 29, 10 am to 12 noon
SAINT PAUL, MN
SubText Indies First — Small Business Saturday
SubText: A Bookstore
165 Western Ave North
Saint Paul, MN 55102
(651) 493-2791
November 29, 12:30 to 2:30 pm
HUDSON, WI
Chapter 2 Indies First — Small Business Saturday
Chapter2 Books
226 Locust Street
Hudson, WI 54016
(715) 220-8818
Two signings in one day to support local independent booksellers! I'll be with fellow Sister in Crime Barbara Merritt Deese at both events, and David Housewright will join us in Hudson. There will be books galore, authors, and lots of good cheer!
Saturday, June 21, 2014
Gettin' Literary at the Irish Fair
One of the things I'm doing (when not working on the new book, of course!) is that I'm coordinating the Literary Corner at the Irish Fair of Minnesota. It's the largest free Irish festival in the nation, drawing crowds of 80,000-100,000 for three days in early August. This year the Fair is August 8-10, and it's held on Harriet Island, across the river from downtown Saint Paul.
This year, in keeping with the 1,000th anniversary of the Battle of Clontarf, the Literary Corner is also focusing on 1,000 years of Irish literature. We're working on getting a calligrapher to speak and demonstrate Irish medieval writing, and we'll also feature 14 Minnesota writers who will talk about and read from their own work, and also about the Irish writers and various literary traditions that have influenced them. And there's going to be a Limerick contest, with winners both Saturday and Sunday. Books by participating authors will be available for purchase and signing.
The Literary Corner will be open Saturday and Sunday, August 9-10, from 11 am. We have a great lineup of talented authors including:
GARY BRUGGEMANN
Gary Bruggemann teaches history at Century and Inver Hills Community Colleges. A lifelong resident of Saint Paul, he has spent the last 35 years researching, writing and teaching Minnesota history. He is the author of numerous works on Saint Paul history, including at least 40 newspaper and magazine articles. In 2012 Gary published Minnesota's Oldest Murder Mystery: The Case Of Edward Phalen, St. Paul's Unsaintly Pioneer, selected as a Midwest Book Awards finalist.
CAROL CONNOLLY
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JOHN DINGLEY
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MIKE FARICY
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MIKE FINLEY
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ERIN HART
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LAURIE HERTZEL
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AMANDA HUGHES
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TRACIE LOEFFLER DONAGHY
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NORA MURPHY
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PADDY O’BRIEN
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PATRICK O’DONNELL
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DAVE PAGE
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JIM ROGERS
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Monday, June 2, 2014
My Writing Process — Blog Tour
Thanks a million to Mickie Turk for asking me to take part in the Writing Process Blog Tour. Mickie is a fellow member of the Twin Cities Chapter of Sisters in Crime, and the author of two stand-alone crime novels, The Delilah Case and Made in the Image, and is just completing the first book in her Clemsczak Cleaners Mystery Series, Cleaning Up The Bodies. You can find out more about Mickie and her work at: mickieturkauthorandfilmmaker.blogspot.com.
What am I working on?
I’m in the messy middle of a fifth novel, which is departing from the Nora Gavin/Cormac Maguire series in that it’s demanding to be set in 1933. So I’m imagining the main character, an Irish policeman-turned-archaeologist just might be Nora Gavin’s grandfather.
The story takes place in the Burren area of County Clare, where in the early 1930s Harvard University dispatched teams of archaeologists, sociologists, and anthropologists. It was also a time of great political upheaval in Ireland, as well as elsewhere in Europe, with the rise of nationalism in many countries—Germany in particular—with all that entailed. Ireland was in an interesting position, after achieving independence in the 1920s: many of their technical experts and high-ranking officials were actually from Germany and Austria, including a fellow called Adolf Mahr, who became the Director of the National Museum. Mahr was born in Austria, and became head of the Nazi Party in Ireland during the 1930s. My story is based on a real-life disappearance, but I’ve changed the details of actual events to fit the setting and characters I'm drawing.
How does your work differ from others in your genre?
Well, I’ve yet to find anyone else who writes a whole series about people buried and preserved for thousands of years in the mysterious Irish boglands! It’s my own little niche, I guess you could say. For years after hearing the true tale of a red-haired beauty whose severed head was found in a bog, I haunted Irish bookshops, looking for someone who had already written about bog people. As it happened, I found none, and it turned out to be a tremendous opportunity. I couldn't believe no one had chosen the bog for a setting. It seemed tailor-made for mystery. When I first envisioned the novel that became HAUNTED GROUND, I wanted it to include not just forensic science and archaeology—though those two elements are very much the focus of my work—but it's also about the many layers of history in a place like Ireland, as well as traditional music, and folklore, and mythology. So it’s that combination of essentials that I think makes my stories just a wee bit different from anyone else’s.
Why do you write what you do?
I’ve always been inspired by true stories, and have always started with real events that lend themselves to mysterious, history-connected stories. I love to develop fully-fleshed characters, and most especially I love writing about the connections between those characters, as well as their troubles, their flaws and their foibles. Part of the reason I write the sorts of stories that I do is in reaction to crime novels that are just intellectual puzzles, where the victim is an unpopular boor, and there are no real moral or psychological consequences. For me, reading and writing fiction is all about empathy, about sharing the experience of the people on the page. So my stories tend to be serious, a bit dark, but they always leave open the possibility of redemption.
How does your writing process work?
I always start with an idea based on something from real life—usually a recent bog find! THE BOOK OF KILLOWEN was based on the discovery of a 9th-century book of psalms in an Irish bog. From there, I begin populating the story with characters, and trying to imagine what might happen next. It’s usually the combination of the setting and the characters that helps fill out the plot. I do a lot of research before really beginning to write, but I continue with the research (including visiting Ireland) as I’m working on each novel, because I have to visit specific places that figure in the story to get them just right. I’m a complete pantser, which means that I have no idea how the story is going to end when I start writing. I write to find out what happens, if that makes sense. There are many drafts, and many walls covered in Post-It notes, and many scribbly pages that go nowhere, but help me find my way through the story. Writing a novel is almost like an excavation. I’m not adding, like a sculptor working in clay; I’m digging through details and backstory about the characters to find out more about them, and what’s most important.
For next Monday, June 9, I’m delighted to recommend a trio of excellent crime writers:
Judith Yates Borger
When the St. Paul Pioneer Press refused to pay for her little red two-seater convertible which was firebombed while she reported on a riot, Judith Yates Borger decided it was time to get a new gig. She began writing fiction and hasn't looked back. Borger draws on her 40+ years experience as a journalist to chronicle the escapades of her protagonist Skeeter Hughes, wife, mom, and reporter. In real life, Borger would never have taken the risks that come naturally to protagonist Skeeter. Her third Skeeter Hughes mystery, WHO BOMBED THE TRAIN?, was released June 1. Judy has also published short stories in three Twin Cities mystery anthologies. Those anthologies and her two other Skeeter Hughes novels, WHERE'S BILLIE? and WHOSE HAND?, were published in paper by Nodin Press. They are now available in ebook format from Amazon.com. Learn more about Judy and her work at www.JudithYatesBorger.com.
The next two wonderful writers were not able to participate in this Writing Process blog tour, but I thought you should know about their work in any case!
Sujata Massey
Sujata Massey was born in England to parents from India and Germany and grew up mostly in Saint Paul, Minnesota. She holds a B.A. in Writing Seminars from Johns Hopkins University and started her working life as a features reporter for the Baltimore Evening Sun. After leaving the newspaper, she moved to Japan, where she studied Japanese, taught English and began writing her first novel, THE SALARYMAN'S WIFE. This novel became the first of many in the Rei Shimura mystery series, which has won Agatha and Macavity awards and been nominated for the Edgar, Anthony, and Mary Higgins Clark awards. Her August 2013 release,THE SLEEPING DICTIONARY, is the first in a series of historical suspense novels featuring Bengali women who each play a role in making modern India. Sujata’s books have been published in more than 18 countries, and if she could redo her youth, she would have double-majored in history and a foreign language and spent a gap year (or two) abroad. Currently, she’s based near Washington, D.C. You can learn more about Sujata and her work at www.sujatamassey.com.
Ellen Crosby
Ellen Crosby is the author of six books in the Virginia Wine Country mystery series, as well as MOSCOW NIGHTS, a stand-alone mystery based loosely on her time as Moscow correspondent for ABC Radio News in the late 1980s. Before writing fiction, she also worked as a freelance reporter for The Washington Post and as an economist at the U.S. Senate. Her latest book, MULTIPLE EXPOSURE, was released in August 2013 by Scribner. It’s the first in a new mystery series featuring photojournalist Sophie Medina, the story draws on her insider knowledge of Washington politics, her journalism background, and her stint as a Moscow reporter. After living overseas for many years—England, Switzerland, France, Italy, Spain, and the former Soviet Union—Ellen, who has an undergraduate degree in political science and a masters in international affairs, now resides in the D.C. suburbs of northern Virginia. Find out more about Ellen and her work at www.ellencrosby.com.
What am I working on?
I’m in the messy middle of a fifth novel, which is departing from the Nora Gavin/Cormac Maguire series in that it’s demanding to be set in 1933. So I’m imagining the main character, an Irish policeman-turned-archaeologist just might be Nora Gavin’s grandfather.
The story takes place in the Burren area of County Clare, where in the early 1930s Harvard University dispatched teams of archaeologists, sociologists, and anthropologists. It was also a time of great political upheaval in Ireland, as well as elsewhere in Europe, with the rise of nationalism in many countries—Germany in particular—with all that entailed. Ireland was in an interesting position, after achieving independence in the 1920s: many of their technical experts and high-ranking officials were actually from Germany and Austria, including a fellow called Adolf Mahr, who became the Director of the National Museum. Mahr was born in Austria, and became head of the Nazi Party in Ireland during the 1930s. My story is based on a real-life disappearance, but I’ve changed the details of actual events to fit the setting and characters I'm drawing.
How does your work differ from others in your genre?
Well, I’ve yet to find anyone else who writes a whole series about people buried and preserved for thousands of years in the mysterious Irish boglands! It’s my own little niche, I guess you could say. For years after hearing the true tale of a red-haired beauty whose severed head was found in a bog, I haunted Irish bookshops, looking for someone who had already written about bog people. As it happened, I found none, and it turned out to be a tremendous opportunity. I couldn't believe no one had chosen the bog for a setting. It seemed tailor-made for mystery. When I first envisioned the novel that became HAUNTED GROUND, I wanted it to include not just forensic science and archaeology—though those two elements are very much the focus of my work—but it's also about the many layers of history in a place like Ireland, as well as traditional music, and folklore, and mythology. So it’s that combination of essentials that I think makes my stories just a wee bit different from anyone else’s.
Why do you write what you do?
I’ve always been inspired by true stories, and have always started with real events that lend themselves to mysterious, history-connected stories. I love to develop fully-fleshed characters, and most especially I love writing about the connections between those characters, as well as their troubles, their flaws and their foibles. Part of the reason I write the sorts of stories that I do is in reaction to crime novels that are just intellectual puzzles, where the victim is an unpopular boor, and there are no real moral or psychological consequences. For me, reading and writing fiction is all about empathy, about sharing the experience of the people on the page. So my stories tend to be serious, a bit dark, but they always leave open the possibility of redemption.
How does your writing process work?
I always start with an idea based on something from real life—usually a recent bog find! THE BOOK OF KILLOWEN was based on the discovery of a 9th-century book of psalms in an Irish bog. From there, I begin populating the story with characters, and trying to imagine what might happen next. It’s usually the combination of the setting and the characters that helps fill out the plot. I do a lot of research before really beginning to write, but I continue with the research (including visiting Ireland) as I’m working on each novel, because I have to visit specific places that figure in the story to get them just right. I’m a complete pantser, which means that I have no idea how the story is going to end when I start writing. I write to find out what happens, if that makes sense. There are many drafts, and many walls covered in Post-It notes, and many scribbly pages that go nowhere, but help me find my way through the story. Writing a novel is almost like an excavation. I’m not adding, like a sculptor working in clay; I’m digging through details and backstory about the characters to find out more about them, and what’s most important.
For next Monday, June 9, I’m delighted to recommend a trio of excellent crime writers:
Judith Yates Borger
When the St. Paul Pioneer Press refused to pay for her little red two-seater convertible which was firebombed while she reported on a riot, Judith Yates Borger decided it was time to get a new gig. She began writing fiction and hasn't looked back. Borger draws on her 40+ years experience as a journalist to chronicle the escapades of her protagonist Skeeter Hughes, wife, mom, and reporter. In real life, Borger would never have taken the risks that come naturally to protagonist Skeeter. Her third Skeeter Hughes mystery, WHO BOMBED THE TRAIN?, was released June 1. Judy has also published short stories in three Twin Cities mystery anthologies. Those anthologies and her two other Skeeter Hughes novels, WHERE'S BILLIE? and WHOSE HAND?, were published in paper by Nodin Press. They are now available in ebook format from Amazon.com. Learn more about Judy and her work at www.JudithYatesBorger.com.
The next two wonderful writers were not able to participate in this Writing Process blog tour, but I thought you should know about their work in any case!
Sujata Massey
Sujata Massey was born in England to parents from India and Germany and grew up mostly in Saint Paul, Minnesota. She holds a B.A. in Writing Seminars from Johns Hopkins University and started her working life as a features reporter for the Baltimore Evening Sun. After leaving the newspaper, she moved to Japan, where she studied Japanese, taught English and began writing her first novel, THE SALARYMAN'S WIFE. This novel became the first of many in the Rei Shimura mystery series, which has won Agatha and Macavity awards and been nominated for the Edgar, Anthony, and Mary Higgins Clark awards. Her August 2013 release,THE SLEEPING DICTIONARY, is the first in a series of historical suspense novels featuring Bengali women who each play a role in making modern India. Sujata’s books have been published in more than 18 countries, and if she could redo her youth, she would have double-majored in history and a foreign language and spent a gap year (or two) abroad. Currently, she’s based near Washington, D.C. You can learn more about Sujata and her work at www.sujatamassey.com.
Ellen Crosby
Ellen Crosby is the author of six books in the Virginia Wine Country mystery series, as well as MOSCOW NIGHTS, a stand-alone mystery based loosely on her time as Moscow correspondent for ABC Radio News in the late 1980s. Before writing fiction, she also worked as a freelance reporter for The Washington Post and as an economist at the U.S. Senate. Her latest book, MULTIPLE EXPOSURE, was released in August 2013 by Scribner. It’s the first in a new mystery series featuring photojournalist Sophie Medina, the story draws on her insider knowledge of Washington politics, her journalism background, and her stint as a Moscow reporter. After living overseas for many years—England, Switzerland, France, Italy, Spain, and the former Soviet Union—Ellen, who has an undergraduate degree in political science and a masters in international affairs, now resides in the D.C. suburbs of northern Virginia. Find out more about Ellen and her work at www.ellencrosby.com.
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